Dika Newlin
Charlie Phillips, Professor of Computer Sciences at Florida Community College at Jacksonville a 2/4 year College and  music performer had the honor of being Dr. Newlon's first electronic music applied/composition student at Virginia Commonwealth University in the fall of 1978. "I had the great honor of Dr. Dika Newlin mentoring me and being a friend for many years. I studied with Dr. Dika Newlin for over 10 years. She was truly my greatest and favorite mentor. She was also a special colleague in academics and friendship. Our friendship and respect continued over the years with phone calls, letters, emails and short visits and luncheons in Richmond Va.  My last conversation with my friend was in May 2006 and a phone message I left for her on June 2, 2006 again thanking her for her friendship and mentoring.  She died one week before my annual visit with her."

Charlie Phillips has been an electronic music composer/performer since 1975.

Composer Dika Newlin dies at 82

By ZINIE CHEN SAMPSON, Associated Press Writer Fri Jul 28, 3:36 PM ET  Picture Mark Gormus

RICHMOND, Va. - Dika Newlin, a composer and musicologist who was deeply influenced by the avant-garde master Arnold Schoenberg and brought his style into the punk rock era, has died. She was 82.

Newlin, a child prodigy who was still on the musical cutting edge 70 years later, died July 22 at a Richmond nursing home, according to Sabine Feisst, a professor of musicology at Arizona State University.

"I don't know any other artist who had such a unique career and who was so diverse," Feisst said in a telephone interview.

Newlin taught at several universities, finishing her academic career at Virginia Commonwealth University, where she worked from 1978 to 2004.

At age 11, Newlin composed a symphonic work, "Cradle Song," which was performed by the Cincinnati Symphony. A few years later, in 1941, the work was performed in New York with another prodigy, 11-year-old Lorin Maazel, at the NBC Summer Symphony podium.

But Newlin was best known for her writings and correspondence with Schoenberg, the Austrian composer who moved beyond the traditional musical scales with his 12-tone composition method. He came to the United States in the 1930s and died in 1951, and Newlin was one of her few surviving students.

She had studied with Schoenberg at UCLA after graduating from Michigan State University at age 16.

Newlin translated several of Schoenberg's writings from German to English. Her journals about her experiences with him were published in 1980 as "Schoenberg Remembered: Diaries and Recollections (1938-76)."

"She was a very gifted student, very much appreciated by Schoenberg," Feisst said. "When he talked about gifted American composers, he always mentioned her name."

A composer of several operas and chamber works, Newlin began exploring popular music in the mid-1980s. Inspired by her college students, she sang and played keyboards in a band called Apocowlypso. More recently she performed as a flame-haired punk rocker and performance artist, singing works such as "Murder Kitty," composed solely of meows.

"Even in her punk-rock period, she refers to Schoenberg in that she uses the motifs in his works, or quotes from text in his works," Feisst said.

Her career also included appearances in alternative films, including a 1995 horror film called "Creep" and a short documentary titled "Dika: Murder City."

A memorial service will be held in the upcoming months, she said.

Dika Newlin, 82, Punk-Rock Schoenberg Expert, Dies

Published: July 28, 2006 Picture Mark Gormus

Dika Newlin, who composed a symphony at 11, became a distinguished composer and musicologist and emerged, in her 70’s and 80’s, as a most unlikely punk rocker, died on July 22 in Richmond, Va. She was 82.

The composer and professor Dika Newlin with a student, John Pollock, during a class at Virginia Commonwealth University in 1996.

The cause was complications of a broken arm she suffered on June 30, said Sabine Feisst, a professor of musicology at Arizona State University who is writing a book on Dr. Newlin.

“It is hard to find out about me because I’m involved in so many different things,” Dr. Newlin said in an interview with The Richmond Times-Dispatch in 1996. One continuing thread: she was a professor at various universities, until her retirement from Virginia Commonwealth University two years ago.

Her latest incarnation was as leather-clad, bright-orange-haired punk rocker and occasional Elvis impersonator, belting out songs like “Love Songs for People Who Hate Each Other,” which she wrote herself. Her flamboyant image was not exactly dulled when she posed in her 70’s for a pinup calendar.

Dr. Newlin’s earlier prominence grew out of her studies as a teenager with the composer Arnold Schoenberg. Dr. Newlin, among the last surviving pupils of Schoenberg, wrote the entry on him for the Encyclopaedia Britannica.

Dr. Feisst called Dr. Newlin “one of the pioneers of Schoenberg research in America.” Dr. Newlin’s doctoral dissertation was published as the book “Bruckner, Mahler, Schoenberg” (1947, 1968). She also translated Schoenberg’s works from German to English, and her publication of diaries she kept as his student provide some of the most intimate glimpses of him.

Dr. Newlin’s own compositions reflect Schoenberg’s innovative approach. Those works include three operas, a chamber symphony, a piano concerto and numerous chamber, vocal and mixed-media works. In 1999, she sang in a costumed performance of Schoenberg’s “Pierrot Lunaire,” in her own English translation, in Lubbock, Tex.

In her punk incarnation, Dr. Newlin appeared in horror movies produced by Michael D. Moore in Richmond. In “Creep” (1995), directed by Tim Ritter, her character, clad in a leather motorcycle jacket, poisons baby food on a supermarket shelf.

Dr. Feisst confessed to finding this sort of thing “puzzling and disturbing” but said she came to view it as “all part of the package.”

Mr. Moore also directed “Dika: Murder City’’ (1995), a documentary about Dr. Newlin.

Dika Newlin, an only child, was born in Portland, Ore., on Nov. 22, 1923. Her name, chosen by her mother, refers to an Amazon in one of Sappho’s poems.

Her parents, both academics, soon moved to East Lansing, Mich., to teach at what is now Michigan State University. Dika could read dictionaries at 3, played the piano at 6 and began composing at 7.

She entered grade school at 5 and finished at 8. At 11, she wrote a symphonic piece, “Cradle Song.” Three years later, it was performed by the Cincinnati Symphony, with Vladimir Bakaleinikoff conducting.

She finished high school at 12 and was accepted as a college student by Michigan State, where, The New York Herald Tribune said in 1939, she had the highest I.Q. score in the school’s history. At the time of the article, she was in New York to hear one of her compositions performed at the World’s Fair.

After graduating from Michigan State at 16, she settled with her mother in Los Angeles so that she could attend the University of California at Los Angeles and study with Schoenberg, who taught there. She kept a diary, which she published as a book, “Schoenberg Remembered: Diaries and Recollections (1938-76),” in 1980.

Reviewing the book in The New York Times Book Review, Joan Peyser marveled at its “absolute ingenuousness,” saying Dr. Newlin seemed to have censored nothing.

In one entry, she tells how Schoenberg, an Austrian émigré she called Uncle Arnold, criticized her string-quartet style as “too pianistic.” She replied that she knew it wasn’t the best writing. The entry continues, “He replied, ‘No, it is not the best, nor even the second best — perhaps the 50th best, yes?’ ”

She earned her doctorate in musicology from Columbia at 22. She studied piano with Artur Schnabel and Rudolf Serkin and made a half-dozen piano recordings in the United States and Europe. Many years later, in 2004, some of her punk numbers were released on an album called “Ageless Icon: The Greatest Hits of Dika Newlin.”

Dr. Newlin, who never married, leaves no immediate family members. She has a surviving cousin and was close to her cat, Spot. She once kept eight or more cats. Reporters noted that she slept on a mattress on the floor with a medieval suit of armor dangling above.

She told The Richmond Times-Dispatch that she had always wanted to have a rock band, and hers surely carried her own brand. Who but Dr. Newlin could have taken the text Schoenberg used for the fourth movement of his second string quartet to use as punk lyrics for “Alien Baby”?

“I feel like a child more than I did as a child,” she said in an interview with People magazine in 2003. “I try more and more to live day by day, to do something because it feels good.”

Composer Dika Newlin Dies at 82

Jul 28th - 1:35pm

Dika Newlin

Virginia Commonwealth University News Services
July 27, 2006

Dika Newlin, a longtime professor at Virginia Commonwealth University known for her enthusiasm and eclectic interests, died on July 22 at the age of 82.

Newlin taught in the Department of Music at VCU from 1978 until her retirement in 2004. John Guthmiller, chairman of the music department, told the Richmond Times-Dispatch this week that Newlin was adept at relating to her pupils through the music many of them favored.

“She was a great resource for students who needed stimulation beyond the normal academic channels,” Guthmiller told the Times-Dispatch. “Dika had a pipeline to students who needed another perspective.”

Newlin was a classically trained pianist and composer who developed an interest in punk rock in her golden years, sometimes playing locally in bands. She was the composer of operas, a symphony and other classical pieces. She was also a translator and author whose books included “Bruckner, Mahler and Schoenberg” and “Schoenberg Remembered: Diaries and Recollections, 1938-76,” both on the topic of the influential composer Arnold Schoenberg.

Newlin released CDs of her contemporary music and acted in independent films, including the 1995 documentary “Dika: Murder City,” which was produced with longtime friend and collaborator, Michael Moore.

In a review of the film, Phil Hall said, "the film's production flaws are easily overlooked by the mad genius of Dika Newlin, a woman who presents the facade of sincerity and intelligence during conversation, but who turns into a raving maniac whenever she steps before a microphone while the music plays."

Newlin was a child prodigy, creating her first piano piece at the age of 8. The Cincinnati Symphony performed her work when she was just 12, and she started studying with Schoenberg at UCLA at 14. She later graduated from the University of Michigan at 16 and secured a doctorate from Columbia University at 22.

Newlin was featured in a People Magazine piece in 2003. In the article, which was accompanied by a picture showing the red-headed Newlin with a devilish grin and an electric guitar, she referred to her atypically accomplished childhood and youthful adulthood: “I feel like a child now more than I did as a child. I try more and more to live by the day, to do something because it feels good.”

 

      Dika Newlin
     

Charlie Phillips
(pictures of Charlie late 70's early 80's (taken by Dika) and 2003 Fl.)